Why I complain about my work...Yeah, I do a lot of complaining about my work, I know, but let these me give you an idea of the BS I have to endure:
I've been offered, and rejected, several jobs on indie features this summer. Why, you ask? Well, here's why:
1. Many of these positions are 1099 tax type, so no taxes are taken from the paychecks. Therefore I have to pay self-employment tax, federal, state, and twice the usual Social Security out of my own pocket. Any freelancer is aware of this. Part of life, part of freelancing. Now if they only paid a decent wage then it really wouldn't be a big deal.
2. A feature requires stupidly long, hard hours of physical labor... no less than 12 and up to 20 a day. Usually 6 days a week, sometimes 5, but usually even 5 day weeks turn into 6 when a film is understaffed which they often are.
3. The physical labor is dangerous, involving blades, ladders, high voltages of electricity, heavy objects, and any combination of 2 or more of these. There is no workers comp and no health insurance. If you're hurt, you're screwed, and there's no paid time off. Plus after 16 hours of backbreaking work you are very likely to screw up and hurt yourself. I've seen it happen.
4. Because they are "indie features" and there is little (little being relative) money to spend, most money goes into equipment rentals, locations, fees, and rates for the stars or the keys. They offer me, an experienced worker with rent and a mouth to feed, something like 100/day. (on a side note, tv, events, and print pay much better than this). Okay, that might not be so bad, except that instead of working 9-5, you are working 5-9, or 9-9, or 1pm-3am, or 11pm-11am, depending on the day. So I could be making anything from a whopping $8/hr to $6/hr. They offer "meals, transportation, and a copy of the completed film." Now, I'm still waiting for many, many "copies" and trying to get a free metrocard from the management is like pulling teeth. It doesn't pay rent, either. Sure there are people on the set who are paid more than I am; I just happen to have one of the most undervalued-yet-essential positions in the history of filmmaking. We'll not even go into that for the safety of everyone in my general vicinity.
5. Finally, there is no respect. On other jobs, tv and print for example, I am treated like an important addition to a team of real human beings with real lives. In indie film you are treated like a slave (or a financial burden) who is just lucky to be there and maybe, just maybe, if you work hard enough and kiss enough ass then the big shots (usually deluded egomaniacs) will let you work on their next big movie that no one will ever see! Yay!
Whew. That said, there are always some exceptions. I've worked for some good, kind people that deserve recognition and a chance to realize their dreams. I just needed to vent. I was offered another interview for a feature job today and the person who offered refused to tell me the pay rate. I told her that she needed to give me some numbers because if it's too low, I don't want to waste her time or mine with an interview. Maybe she just assumed I wanted it no matter what. Sorry, I don't. I have some nice temp agencies to work for.
More on the results of this drama later.